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Photographer Spotlight

Photographer Spotlight: Melissa J

We are so excited to welcome the fabulously talented Melissa J to the Blog. Learn more about Melissa’s beautiful maternity and newborn photography in our Photographer Spotlight, then visit her at her website Melissa J Photography. Thank you so much Melissa for sharing your work with us today!

Where did your inspiration for photography begin?
Totally cliche, but it’s my boys. i wanted to capture everything about them so i could remember all the little things since they’re growing up so fast. i bought a canon 10d off a friend.  it didn’t even have a lens and i had no idea i had to buy something separate to use it – yea i was *that* dslr illiterate.  that little camera intrigued me so much that i spent hours learning everything i could with it. i have lots and lots of blurry photos of my kids from that camera but by golly, it was fun and helped get me where i am today!

How would you describe your photography style?
Dreamy and pure. i like my props and set ups to give an organic feel and my lighting to be simple and dreamy. i want parents to have photos of their newborn and see who their baby was at that 2 week age… the tiny flakes, wrinkly skin, and even the umbilical stump!

Did you study photography in school or are you self taught?
Self taught. Wayyyyy too much time on google and youtube.

What camera do you shoot with and what is your favorite lens?
Canon 5d mark ii. My favorite lens is my macro (100mm 2.8) but my 35mm 1.4 is my workhorse. i’m also in love with my 135 2.0L and wish I had space to use it more.

Do you have any tips for photographers on how to find the light?
I’m a lover of shadows! I like to look at the shadows and adjust my subject based on where the shadow is falling. for babies in studio, this is usually a 45 or 90 degree angle from where the soft light is coming in. For maternity clients, this is usually right at sunrise or right before sunset and I typically have the sun behind them. I try to stay away from harsh light (mid day outdoors or use light and airy curtains if using natural light in studio). Lighting is so important and I feel like there was a time in my learning curve when I had that ah-ha moment and everything just clicked with finding the light. It takes time and it takes practice. The great thing with learning lighting, you can practice on anything! Put a chair out in the field and see how the light falls on it, put your hand out in front of the light and see if it falls nice and soft on your hand.

Also – don’t be scared of studio lighting! I used to be a natural light snob but recently tried out studio lighting so that I could fit in more sessions and it was the best decision ever. I am in love with studio light and it was so easy to get started!

What is your favorite subject to photograph and why?
Laundry

What is a good lesson you have learned this year in photography or in your business?
To be myself. I used to follow tons of photographers on Facebook and spent way too much valuable time seeing what they were doing. Once I stepped away from that and analyzed my own photos more deeply, I pulled out the passion inside me and what type of images make my heart flutter. I realized that these other photographers aren’t paying my bills, my clients are. My clients are paying for my artistic eye and to be true to them, I have to be true to myself.

If you could encourage a new photographer in one area, what would it be?
Take the dirt road. Don’t take the paved road that other photographers are paving for you. Find what makes you happy and work towards making that the best you can.

What do you love most about being a photographer?
I am the most un-artsy person ever, except when it comes to photography so I love using it as my creative outlet. A place to share my artistic vision with the world. I also love being able to capture my own 3 boys and will be able to give them albums to cherish long past their wedding days.

Where do you see yourself in 5 years?
Still photographing newborns but also doing more birth photography. I’m a big birth photography junkie but because of my newborn work, i only take one birth a month so hoping I can find a way to fit in more over the years. I’m also working on an international adventure and hoping to use my photography skills to be able to share with others what it’s like in a poverty filled area of Mexico.

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About the Artist: I love spending my days photographing the tiniest residents of Colorado and everything that surrounds their adventure into this world. I never called myself artistic until I stumbled onto newborn photography and found there is actually an artistic side of me. I’m a lover of family time, my 3 little monsters, a cold glass of Riesling, and the evening sunset.

Visit Melissa at her WEBSITE | FACEBOOK | GOOGLE+ pages here

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Guest Contributor

Creating Unique Newborn Sessions For Your Clients

by Guest Contributor Sandy Summers Russell

Do you ever feel like you’re shooting the same thing over and over again with your newborn portrait sessions? Do you wish you could bring not only more creativity to your images, but give your clients a truly custom photography experience? Creating a successful custom newborn portrait shoot doesn’t just start with triggering your camera’s shutter release. You have to lay the groundwork ahead of time, and I’d like to share how I do that with a recent newborn session at my studio.

This little baby’s mama is a very talented hair and makeup artist who works extensively with the local photographer community. So I knew when she contacted me about pictures they would need to be beautiful and stylish images.

All of my portrait sessions include an in person pre-session consultation. That’s where we sit down about a week before the baby’s due date and talk about the portrait session in detail. It is so critical to collaborate with your client, so your final images turn out exactly as they desire. They should complement their individual tastes, so they can be beautifully displayed in their home.

When I can, I like to do this consult at the client’s home, so I can immediately get a feel for their personal style. When I met with this client I knew exactly what her distinct aesthetic was. It was soft neutrals, blushes, and gold accents; a gorgeous mixture of hard and soft, romantic and masculine. Very much a Restoration Hardware look than say Pottery Barn or West Elm home. Imagine if this consult hadn’t been done, and I had chosen reds and greens or something too bright for the baby portrait colors. It wouldn’t have gone with her decor at all! That’s why a custom photographer is truly that, an artist who creates unique images for a client’s home. They’ve commissioned me to create art and to document a monumental time in their life. They should be perfect, and exactly what they’ve always dreamed of.

For this session the mother wanted to use her Vera Wang wedding dress. “Would that interest you?” she asked. Are you kidding! I was beyond excited about it. I thought a vintage dress form would be the perfect way to show off the gown. She found one at a local boutique she had close ties with, and they graciously let us use it for the shoot. We also picked a bench from her home, and she brought her Jimmy Choo shoes she wore for the wedding. Talk about a beautiful set of props to work with. The mother also surprised me that day with two absolutely perfect fresh baby’s breath halos from her favorite local florist. What a perfect compliment they were.

For the beanbag images, while I had plenty of blush and cream colored backdrops, I didn’t have anything gold. So I went to one of my favorite places to find backdrops, Jo-Ann fabrics. When you’re searching for a good beanbag backdrop fabric you should look for something with texture, a thicker material, and a little stretch. There, I found this gold sweater knit backdrop with sequins. Perfect! Even better it was on clearance for $6 a yard. You need only two yards for a beanbag backdrop. The hats, headbands, and wrap I got from my favorite source, etsy.com. Many of them I already had in my prop stash; however this session was done on Valentine’s Day, so I found an adorable bonnet with a wooden heart accent for her to wear.

For the mother and daughter shots, I always think simple is better. The mother, of course, did her own hair and makeup, and it really shows what a professional can achieve. She had brought some solid color neutrals to wear, but I had another idea. I took blush colored sheer fabric and wrapped it around her chest, and another fabric background in a loose sweater knit and wrapped that around her body, and then I secured them both behind her with a backdrop clip. Instant designer gown, or at least it looks that way. It also leaves her shoulders bare to snuggle against her daughter.

We had grandma jump in for a three generations shot towards the end. Aren’t they all gorgeous together?

The final set of props the client brought was for her husband. She wanted to make a special image for his office. He’s an avid hunter, so she brought his collection of elk antlers. Oh my goodness, they were giant! How cool they were to work with. I placed them so they created a half circle around her with varying directions and heights. I then pared it with a sheepskin shearling I found on Ebay for $19, a naturally knitted blanket, and a driftwood slab to give it that mixture of hard and soft used throughout their home. I adore how it turned out. The images are serene and beautiful, like a baby Norse goddess.

All of this might sound like a lot of work for one session, but that’s what makes it custom photography. As long as your business model compensates you for the time and money spent on each session, you should be able to create something unique for each client at every portrait session. In the end you’ll have achieved your goal of creativity, and your client will be overjoyed with distinctive art made just for them.

Prop Sources:
vintage dress form: Melange
baby’s breath haloes: Twigs and Petals
gold beanbag fabric: Jo-Ann Fabric
cream hat: Baby Le Cradle
cream lacey wrap: Devoted Knits
cream beanbag fabric: Stylish Fabric
lace head scarf: Manly and Pretty Little Things
blush beanbag fabric: Roses and Ruffles
wood heart accent hat: Blue Stone Sky
blush sweater fabric on mom: Stylish Fabric
sheep shearling: Leatherwise
knit blanket: Devoted Knits
driftwood slab: JD Vintage Props

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About the Author: Sandy Summers Russell is a former metro newspaper photojournalist who fell in love with a small-town farm boy. She married him, moved to the middle of nowhere, became a mom, and started Summerland Photography in exactly that order. Now, instead of shooting breaking news, professional sporting events, and heartrending human interest features, she photographs brand new babies, fleet-footed toddlers, and jubilant weddings.

Visit Sandy at her WEBSITE | FACEBOOK pages today!

 

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Guest Contributor

Your Style with Jean Smith

by Guest Contributor Jean Smith

What would you say if I asked you what your photography style is? Before you tell me you are a portrait photographer, or a lifestyle photographer, or a high school senior photographer…

I am talking about your STYLE. Your style is what sets you apart from the other ten photographers down the street. It’s when people can look at a photo and know that it is you who took it.
There are a HUGE amount of genres in photography. We’re talking traditional portrait photographers, lifestyle photographers, photojournalists, wildlife photographers, architectural photographers, abstract art photographers, landscape photographers, fine art photographers, aerial photographers, paparazzi, commercial photographers, travel photographers, documentary photographers, sports photographers, concert photographers, pet photographers. And the list goes on. No, really. It goes on and on and on.

The point of all of that is there REALLY IS a place for everyone. Even though we are all little fish swimming in a big sea of photographers, there is room for everyone. Now the question is…WHAT ARE YOU DOING TO STAND OUT? I’m not talking about your awesome marketing pieces. Or your 20,000 likes on Facebook. Or even your super fancy website. Yes, those things help to add to the bling of who you are. But, under all of that, what are you doing to define your style in your actual photography?

Whether you are just starting or have been shooting for thirty years, ask yourself if your images describe you as the artist you want to be. By identifying your style, and actively implementing it in your photography, you can begin to set yourself apart and be passionate about the art you are creating.
So how do you identify your style?
There are many elements or factors that can contribute to your unique style. The easiest way to start your journey of defining your style is to gather several images that you just LOVE. They can be your own images or others. Look through each image and point out exactly what it is about the image you love. After a while, you will start to notice a trend of elements that you love and would like to emulate. EMBRACE those elements and focus on those when you are shooting.

Some elements within those photos that can contribute to someone’s style include:!

  • Color – Bright and bold or muted tones?
  • Lighting – Hard light, soft light, dramatic light, creative light?
  • Camera angles – Shot from below, behind, above, straight on?
  • Focal lengths – Do you see the world as a wide angle lens? Or maybe everything is more beautiful to you with a beautiful, compressed background (achieved with a long lens).
  • Styling – Do you love costumes and props? Trendy clothing? Or simple and casual?
  • Details – Do you find yourself attracted to details or the big picture?
  • Camera settings – Camera settings can play a large part in the look of your images. As an example, blurry images or a lot of motion can be due to low shutter speeds or a manual focus.
  • Graphic design – Do you love perfect symmetry or visual disorganization?

This is the time to step out of your safe place and start shooting, editing, or lighting what you are passionate about. Some people are afraid to take that step, for fear that their clients or followers won’t like it. Take the risk. You want people to hire you to create what you love. By pursuing the elements that speak to you, you will not only love photography, but your personal style will slowly develop and your images will be set apart from others.

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About Jean:
 I am a photographer living in New Hudson, Michigan, with my husband and four little boys. I adore my family more than anything, and also love exercise, reading, travel, travel, travel, and delicious food.

Visit Jean at her WEBSITE, FACEBOOK, and BLOG page today!

 

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Photographer Spotlight

Photographer Spotlight: Dahlias and Daisies

We are so excited to welcome Stephanie Sifuentes of Dahlias and Daisies to the Blog!  Her dreamy, and whimsical imagery just makes our hearts sing!  Thank you so much Stephanie for sharing your work with us today.  Don’t forget to leave some love below!

Where did your inspiration for photography begin?
With my daughter! My husband bought me my first DSLR for Valentines Day while I was pregnant with her. I took at least one picture a day for the first 6 months trying to figure out the darn thing! Then one day in Dec when she was 5 months old I decided we needed a holiday card so I gathered up some random stuff and did a little photo shoot on a bench in our front yard! That was the start of Dahlias and Daisies!

How would you describe your photography style?
Colorful, whimsical, and innocent!

Did you study photography in school or are you self taught?
Self taught for the most part but I have mentored for newborns with some of the best! Newborn mentoring is a must as far as I’m concerned!

What camera do you shoot with and what is your favorite lens?
I have a Canon 5D Mark III. My favorite newborn lens is my 50mm f/1.2 while my favorite outdoor lens is 70-200 f/2.8 IS II USM, I use it almost exclusively outside!!

Do you have any tips for photographers on how to find the light?
Never shoot a new location cold turkey! Take a model 1-2 hours before sunset and explore every angle and see how the light behaves for you. Try things you don’t even think will work because you just might be surprised!

What is the most challenging thing about photographing newborns?
Definitely temperament! You never actually know what you are going to get with newborns. You can do all the tips and tricks on keeping them sleepy and happy, but some just won’t sleep. Have a back up plans in case this happens. Some of my favorite and most creative shots are of newborns who are wide awake! I’ve found that it’s us photographers that really strive for those beautiful perfectly posed naked shots while the parents really just want beautiful pictures of their babies. Get creative with wraps and back drops and you will be ready to handle anything that comes your way!

What is a good lesson you have learned this year in photography or in your business?
Maintaining a work life balance. In 2013, I only had 4 weekends off and did as many as 70 sessions in one month (all full sessions). I missed my family, friends and life. It’s been said over and over again that the amount of bookings a photographer gets does not define success and that is absolutely true. In 2014 I’ve cut way back and now have more time to focus on each session and my family and friends. I feel like I’ve had more ME time in Jan than I did the entire 2013, though I probably wouldn’t trade the valuable learning and lessons I gained for anything!

If you could encourage a new photographer in one area, what would it be?
Take some time and develop your own style. It will eventually come if you allow it to and not get hung up on what others are doing. I see to many photographers getting discouraged because their images aren’t turning out just like so and so’s. You’ll never take photographs like _________(insert rock star here) because you aren’t said rockstar. But that doesn’t mean you can’t create work that is just as valuable and cherished by making it your own!

What do you love most about being a photographer?
Getting totally lost in a session. My mind tends to take over and just run. I may be stressed out or cranky before a session starts but as soon as I have that newborn in my arms or baby sitting in front of me it all melts away. I sometimes think of the sessions as mind yoga!

Where do you see yourself in 5 years?
Doing 2-3 sessions a week! And doing those 2-3 sessions in a beautiful studio built on to my home instead of INSIDE my home! I’m not exactly the worlds best housekeeper ☺ I just recently licensed a newborn image for a popular baby brand. I may explore doing more commercial work.

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About Stephanie Sifuentes: Ever since I was a child I always had a passion for creating. Born and raised a Texas girl I attended the University of Texas in Austin where I studied Performing Arts with dreams to become a choreographer on Broadway. But one thing led to another and I entered the world of advertising in 2000, branding and creating websites for some of the largest and most popular companies in the world. It was absolutely my dream job at the time! After 11 years in the agency world, and my new turn in life of becoming a mother, I decided to pursue my next passion and that was photographing babies. Which is now my dream job! Family Picture by Ochoa Photography

Visit Stephanie at her WEBSITE | FACEBOOK pages today!

 

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Guest Contributor

3 Things THE HUNGER GAMES Can Teach You About Staying Alive in the Photography Industry

by Guest Contributor Sarah Grace

Fight to the Death! Only One will be Victor! May the Odds be Ever in Your Favor.
Such a TRAGIC, FICTIONAL STORY, right?

Maybe not so fictional in the Photography world. Any of these phrases sound familiar?

That client is MINE! Every man for himself, no I will not network! Are “the Odds” in my favor to be successful?

My dear friends, what if I could provide 3 tips that would ensure that the Odds would FOREVER in Your Favor?
Listen up!

#1: Find Water First. New photographers, I love you. I cringe at the pressures you feel. The business world you are jumping into is vastly different than the one I jumped into. I am sorry. 🙁 I have noticed a tough trend in how the photographers I mentor feel.

Overwhelmed.

The minute they decide to go “real-deal” in the industry they feel pressured to have the following: Logo, website, Facebook business page, custom Facebook tabs, free download, promo video, mailing list, monthly newsletters, boutique packaging, 1,011 photoshop actions, customized gift cards, stationary, fancy camera bag, and-the-list-goes-on-and-on.

I plead with you, friend. Listen to the surprisingly brilliant, Haymitch. Find Water First. Discover the most crucial survival tool in the arena…

Water = YOUR PHOTOGRAPHY SKILLS

You may have a stellar website design, a rockin’ logo, a fancy $500 bag, and even a perfectly make-you-cry promo video, BUT – how are your images? Your ability to capture amazing photos in any kind of light, at any time of day at any location on a consistent basis is KEY to your survival in the arena.

YOU CANNOT AVOID the need for water.
It will eventually catch up to you.

Before your spend your time and hard-earned money into the outer-needs (most of these needs should be categorized as WANTS) of your business, spend your energy “Finding Water” by refining your photography skills. Don’t you feel so Katniss right now?

Need recommendations for truly nourishing photography workshops? Click here to see our recommendations…..

#2: Under-promise and Over-deliver: From District 12? Feeling a little underprivileged? Underdog? Awesome! My heart breaks every time I think of Peeta saying “My mother said, ‘It looks like District 12 may finally have a winner.’ But she wasn’t talking about me. She was talking about you.” Moment of silence for that SAD thought, people! One of the most satisfying parts of the entire series is the “unlikely victory” of Peeta and Katniss.

There is nothing magical, jaw-dropping, or special about the Careers winning the games year after year.
So…add some SPARKLE to what YOU have to offer in the arena.

Tell your clients they should expect their photographers in 3 weeks, and deliver in 10 days. Remind your clients to expect 25 images after the session, and bring 30 because you JUST COULDN’T let them miss those extra 5. Did they order that darling accordion book for Grandma and Grandpa? Fabulous. Include 2 accordion books when you deliver, just in case they need an extra Christmas idea. They will be your greatest fans, supporters, and in many ways…sponsors. 🙂 The arena can be such a happy place.

#3: Build an Alliance & Remain Loyal: Always. Find a buddy/buddies through your journey. Husbands, dogs, roommates, and your sweet momma don’t count. Find a buddy that is in the arena too (a photographer.in case you missed the symbolism!). Set up a private facebook group where you can bounce ideas back and forth on, chat on Skype once a week to stay accountable to each other, and sincerely invest in each others survival & success.

Unlike the typical “Games” there can be more than one winner, in fact – everyone can win!

Contrary to popular belief, there are plenty of clients. Enough clients to keep us all booked, successful, and friendly. Remember, there is no amount of money, fame, or opportunity that will ever be worth losing your Alliance in the arena. Share in successes! Laugh through failures together, and most importantly – remain Loyal. The time will come when an opportunity to get ahead will present itself (maybe your Alliance’s old client has now showed interest in you…what are you going to do?)… Remain loyal. Always.

Who would have thought the Hunger Games held such wisdom for us Photogs? Take the mystery, fear, and desperation out of the entire process as you Find Water First. Under-promise and Over-deliver, and Remain Loyal to your Alliances.

It’s a beautiful work we are a part of.

Sarah Grace

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About Sarah:  Sarah Grace is celebrating her 4th blissful year as a photography teacher.   Mentoring flourishing photographers makes her heart sing, as well as collecting Vintage Little Peoples’, and devouring all things Drum Corp (check out www.dci.org and watch her inner-geek emerge!).  Sarah believes in holding no secrets back when teaching and that photographs can truly change the spirit of your home sweet home.  Sarah Grace lives in Arizona with her husband, reader-extraordinaire 4-year-old daughter, and orange-crayon-lovin’ baby boy.

Visit Sarah at her WEBSITE | FACEBOOK pages today!

 

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Guest Contributor Post-Processing

Reading Your Histogram in Photoshop

by Guest Contributor Anna Gay

Histograms in editing software are a useful indicator that will help you see what tonal adjustments need to be made to your image in order to achieve a balanced tonal range.

Having a working knowledge of how your histogram works is important, but you will find that histograms vary from image to image, and your final edit is determined by your personal preference. For this reason, I’m a firm believer that there is no such thing as a “perfect” histogram. For some images, you will want deep shadows, and for others, you will want bright highlights, so for this tutorial, we will look at a few different histograms to see how they function.

Ideally, you want your histogram to cover the entire tonal range, from black point to white point (black being shadows, white being highlights).

For this image, I am looking at my histogram through the Levels adjustment panel in Photoshop. You can also view a histogram in the Adjustments panel on the far right of your screen in Photoshop by selecting Window>Histogram, and making sure that Histogram is checked.

As you can see, the histogram covers the entire range of highlights and shadows, with an emphasis towards shadows. The shadows can be seen on the left of the histogram, with the highlights on the right. Looking at the image, you can see that it has a lot of shadows and minimal highlights, hence the majority of the tonal range leans towards shadows, or the left side of the histogram.

Comparing this image to its histogram, we can see that, while the image covers the entire tonal range, there are significant spikes on the far left and far right. This tells us that the image has tones that include pure black and pure white. Looking at the image itself confirms what the histogram is saying: if you look at the bottom-left corner of the image, you will see a solid black tone with no detail. If you look at the center of the image, near the sunglasses, you will also find pure white, as indicated by the spike on the far right in the histogram.

Looking at the above histogram, what do you think it is telling us? We know that the far- right of the histogram represents highlights, so we can surmise that the spike on the far right indicates that we have pure white highlights. In other words, this histogram tells us that we have an image with severely blown highlights!

The opposite is true for this histogram. Our shadows are completely black, and we have no blown highlights. In fact, we have very few highlights, as the tonal range barely passes the midtone (gray) slider in the middle of the histogram. This histogram is telling us that our image is underexposed, with significantly clipped (solid black) shadows.

In this image, the histogram shows that the image covers the entire tonal range, with the majority of the image consisting of midtones, hence the center-weighted histogram. We still have a spike on the far-left shadow range, as you can see in the top-left of the image the shadows are completely black in the foliage. In this case, since there are not too many areas of solid black, this is no cause for alarm. The overall tonality of the image is sufficient in this scenario.

As I said earlier, histograms are a handy tool in determining the overall tonal range of your image, and where you might want to consider making adjustments. However, keep in mind that histograms are simply a guide, and your editing preferences, as well as the image itself, will also dictate the final result of your histogram.

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About the Author: Anna Gay is a portrait photographer based in Athens, GA and the author of the dPS ebook The Art of Self-Portraiture. She also designs actions and textures for Photoshop. When she is not shooting or writing, she enjoys spending time with her husband, and their two cats, Elphie and Fat Cat.

 

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Photographer Spotlight

Photographer Spotlight: Amy Cook

Today we are so thrilled to welcome the fabulous Amy Cook to the Blog!  Learn more about Amy in our Photographer Spotlight, then visit her at her website Amy Cook Photography.  Thank you so much Amy for sharing your work with us today!

Where did your inspiration for photography begin?
In early 2009, things were a lot different- I was a few months shy of being married to my sweetheart, and we had a barely-1 year old daughter together. I was still in college (I was 23) and was jumping majors every 1-2 semesters because NOTHING made me happy. During spring semester my classes were all online, so I poked around for a part-time job just to get out of the house a couple days a week.

At this time, I stumbled across a listing for one of the hospital newborn photography companies, and thought it sounded like a good time- I applied, and amazingly made it through several applicants and got the job. This job, is how I found my inspiration for photography. I only stayed with the company for a little less than a year, but it had given me the inspiration and courage to branch out into something else that made me happy- and potentially look at it as a long-term career. Never in my wildest dreams did I imagine it to blow up the way that it did.

How would you describe your photography style?
Fun & colorful, timeless and a portrayal of happiness!

Did you study photography in school or are you self taught?
I am self-taught, although I had debated changing my major to that in school, I never did, and stuck with more “practical” majors- nursing, teaching, etc- at the time I never realized that people actually made a living being photographers!

What camera do you shoot with and what is your favorite lens?
I primarily shoot with a Canon 5d Mark iii and my favorite lens is probably my 50mm 1.2L. My lineup also includes a 16-35mm 2.8L II, 85mm 1.2L II and 70-200mm 2.8L II and I keep a 5d classic as a backup body.

Do you have any tips for photographers on how to find the light?
No.

Just kidding! You have to be open to the possibilities. The best light isn’t always the most obvious light. Watch for that sparkle in your subject’s eyes- catchlights.

What is your favorite subject to photograph and why?
Newborns pose countless challenges, but I think the most challenging aspect for me personally, is it’s physical! I’m only 28, but all of the bending, crouching, stooping, kneeling, up/down/up/down/up/down kills me! It’s definitely not for the weak.

What is a good lesson you have learned this year in photography or in your business?
I learned this past year, for the second time (first was in late 2010) that I CAN manage to overbook myself and do too much, and that it’s just not worth it. One of my favorite quotes of all time is, “Never get so busy making a living that you forget to make a life.” I don’t make it my business to lecture those that want to charge next to nothing because they wish to provide memories for other families who cannot afford it, etc, and say that working 7 days a week doesn’t bother them- but I can’t help but feel sad for their families who aren’t seeing them while they are making other peoples’ families their priority.

Photography isn’t easy, and the most important lesson I learned in my business was not only to charge what I was worth and what I needed to sustain a business (learned that one hard in 2010) but also that NOTHING and NOBODY is more important than my family. I may not charge rock-bottom prices, but being able to make a true living allows me the freedom to help out others by giving away free sessions, etc. Giving back to your community is one of the best forms of business that you can exercise!

If you could encourage a new photographer in one area, what would it be?
One of the biggest encouragements to new photographers is being vulnerable myself, and showing them a progression of my work- letting them know that I WAS where they are now, and that with hard work and constantly doing everything I could to practice and learn, I got where I am now- and that I’m still growing every single day. Every time I post a “then and now”, the most common response is “that gives me hope!” Nobody is perfect from day 1, and I think many new photographers get discouraged wondering why they aren’t that good in the beginning compared to so and so down the street.

What do you love most about being a photographer?
I love that I get to use MY vision to do my work- not someone else’s (aside from my client of course!) I don’t work for “the man” but for myself. I get to do a job that is not only difficult yet rewarding- but it insanely fun. If I end the day dirty, it’s probably because I was rolling in the dirt with an ornery little boy, or snuggling a squishy newborn who had an accident, but I don’t think I can complain!

Where do you see yourself in 5 years?
In 5 years, I’ll be 33- I plan on still being here. I’ve already taught workshops and written a huge newborn e-guide, so my next big goal I think is to teach a workshop in a different country. Australia would be pretty awesome! I’d also love to be 80% newborns-1 year, and 20% child/family.

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About the Artist: I’m a newborn, child and family photographer from the small town of North Baltimore, OH- near Toledo. I started my business venture in 2009 and have been teaching newborn workshops since late 2011 across the country, finally releasing a newborn e-guide in 2014. Aside from photography, I love spending time with my husband and kids (3 girls with a 4th on the way in April 2014), a little bit of gaming, reading, movies and playing the piano, along with other random doings. I have a sugar tooth and an unhealthy addiction to Biggby Coffee, as well as props, and canvas gallery wraps. I may be closer to 30 than 20, but am still a child at heart and feel that this is what helps me bring out the true selves of children through custom imagery.

Visit Amy at her WEBSITE | FACEBOOK pages here

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Celebrity Mentor Photographer Spotlight

Photographer Spotlight + Celebrity Mentor: Julian N

We are so excited to welcome Julian Navarette to the Blog today! Take a moment to learn more about Julian, and visit his website Julian N Photography.

The best news… Julian will be featured as our “Celebrity Mentor” in the Pretty Forum for the entire month of March so come on over and ask him anything you like.  Thank you so much Julian for taking the time to share your work with us today!

Where did your inspiration for photography begin?
It began at a young age around 10 years old, from my mom. She was a hobbyist photographer and I was always intrigued by her 35 mm film camera. Some of my first images were from that camera.

How would you describe your photography style?
Artistic, non traditional, rich and sometimes hazy.

Did you study photography in school or are you self taught?
I’m all self taught! I learned everything at a young age, I was and still am a Photography Nerd. When I was younger, I use to read a lot of old books on photography. I always watched YouTube videos, I Googled and read lots of blogs and learned a lot from the Internet and then from trial and error. I did have an animation class my senior year of  high school. There was a 4 week course on Photoshop where we learned the basics and I actually got my Adobe CS4 certification. Now, I continually watch online: a lot of Creative Live, Photo vision, YouTube and more!

Do you shoot Canon or Nikon, and what is your favorite lens?
I’m a Canon! I shoot with a 5d Mark iii. I would say my most  used and favorite lens would be the 85 1.2 L, I love the way it compresses the image and the bokeh is so amazing! The lens in general is tack sharp! And next would be my 50 1.2 L if that was a option!

Do you have any tips for photographers on how to find the light?
I shoot all my on location sessions late evening about 1-2 hour before sunset which most know as the golden hour, where you get the most amazing golden light. It has the best light in my opinion, but when I start my session the sun is sometimes still a little high in the sky. So firstly I go look for open shade: I find a shaded area but place my subject facing the light right where the edge of the shadow is.  This will still give good catch lights on the eyes, without having to place your person in harsh light. I would also say to not rush, see how the light hits your client. One other tip to find open shade is when you are in shade and if you look up you will see all sky and no sun. This also gives you great gradation between light and dark.  Before I start my shoot, I walk around my location a bit to find the best spots where the good light is coming from. To look for good light, I find either soft diffused light, which would be light shinning though maybe a tree or the clouds, an open shade area or I will shoot backlight, which is my favorite! Also depending on my location, I look for natural reflectors to bounce my light if the light isn’t all that great, like a white wall. I hardly ever use reflectors though.

What is your favorite subject to photograph and why?
I love shooting people! I love kids and seniors the most. I love how children give you honest emotion, they can be happy but I also love the moody type photos. I love shooting seniors because they are really fun! I’m 20 years old so I can relate to them a lot. I know when they feel weird or nervous, I know they want to look like models or cool so I try my best to make it happen during their session. I love my job!!

What is a good lesson you have learned this year in photography or in your business?
I learned to slow down.. I used to shoot too fast to try soak up the last light and I wouldn’t look at my settings and would sometimes get blur. It was frustrating, now I take my time to get the perfect shot. Business wise, I learned not to undervalue your work and keep track of all your paperwork for taxes.

If you could encourage a new photographer in one area, what would it be?
I would say to learn much as you can yourself, and then ask others for help. When I started, I was lucky enough to have a good mentor to help me with my business, it’s really helpful to have someone guide you in the right direction but definitely try to find your own style.

What do you love most about being a photographer?
I love connecting with people and capturing a important moment in someone’s life in a unique way. I love seeing people’s reactions to their photos, it makes it all worth it.

Where do you see yourself in 5 years?
To have a name for myself. I would like to have photos published. I also sell Photoshop actions to photographers so maybe I’ll have a big popular action store. I want to teach and mentor other photographers, I am always asked about mentoring and hope to someday do that. I also want to move out of my small town so I’m hoping at the age of 25 I still won’t be here. Maybe with a family and with kids, who knows!

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About Julian: My Name is Julian Navarette im 20 years old and live in a small town in texas. I’m also a twin! I started photography at a young age, did photography for fun but turned it into a business at the age of 17 by accident. I started photography as a hobby but then starting shooting friends and family for fun. I got really interested in photography my senior year and people starting noticing my photos. After I graduated in 2010, I started Julian N. Photography and it just literally blew up from there. I started shooting 2011 Seniors and got really  busy so I decided to quit my part time job in May of 2011 to pursue photography full time. Now I shoot children, families and seniors although I do shoot weddings, maternity, newborn, etc. I really do love what I do!!  3 almost 4 years later here I am! i shoot most of my work on location and I Love natural light and love shooting backlight. Primes are my favorite and probably wouldn’t use anything else. I also sell Photoshop actions to photographers!

 Visit Julian at his WEBSITE and FACEBOOK page today!

And don’t forget, you can ask Julian anything you like in the Pretty Celebrity Mentor Forum for the entire month of March!!

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Photographer Spotlight

Photographer Spotlight: Leigh Ripps

We are so pleased today to welcome the amazing Leigh Ripps to the Blog! Learn more about Leigh in our Photographer Spotlight, then visit her at her website Fresh Light Photography. Thank you so much Leigh for sharing your work with us today!

Where did your inspiration for photography begin?
I didn’t pick up my first DSLR until I was pregnant with my first baby 4 years ago. My dad gave me his old Canon 10D and a couple of lenses and off I went. I think using an older camera benefited me greatly because it forced me to learn how to shoot without all the bells and whistles than newer bodies have. A year and half on that nearly 10 year old camera, I finally was able to upgrade. It was at that point my work finally starting looking how I envisioned it.

How would you describe your photography style?
My style has really evolved since beginning my business. I am deeply drawn to simple and natural photography that doesn’t let bright colors, props, and poses distract the moments and people in the image. I keep my palette soft and neutral and work on creating interest with light.

Did you study photography in school or are you self taught?
I am completely self taught through lots of reading and lots and lots of practice. I have been a member of a couple of forums over the past few years that have been very helpful, but my best critique and support comes from an amazing small group of women I am apart of that.

What camera do you shoot with and what is your favorite lens?
I shoot with a Canon Mark ii and I am so fickle with my love for specific lenses. I love my 135L outside, but I love using my 100L for newborns (and not just macro!). Probably half of my newborn session galleries are with my 100.

Do you have any tips for photographers on how to find the light?
Look for light everywhere! Observe the light on a friend’s face over lunch. Notice the way it is glittering though trees while driving down the highway. Spend time sitting outside watching the sun set and see what the light looks like at each stage before it dips below the horizon or pay attention to how it changes in your house throughout the day. The more you observe, the more you will learn about how it behaves, and then you can learn how to manipulate it.

What is your favorite subject to photograph and why?
I love photographing my daughter. She was my initial source of inspiration and continues to be my muse. Professionally though, newborns are my favorite subject. Their newness is so special, but fleeting, and I love getting to document every new baby that comes into my studio.

What is a good lesson you have learned this year in photography or in your business?
Everyone is not your client, and that is OK. I don’t want everyone to love me because it means that I am becoming too generic. Something that appeals to everyone is no longer special and unique. Find ways to be different in your style, pricing, products, and customer experience so that when clients consider who to hire there are multiple characteristics that set you apart. When you are the only one offering X and that is what a client wants, price won’t be an issue any longer.

If you could encourage a new photographer in one area, what would it be?
This quote by Ira Glass encourages me every time I read it, because it rings so true. As someone who is still a relatively new photographer myself and still struggles with getting the idea in my head to be fully realized in an image, it gives me the drive to keep pushing.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

What do you love most about being a photographer?
I love the flexibility is provides. It has allowed me to “retire” from my teaching career and come home to mother my children full-time while still providing for my family. I love being in a career that lets my creativity thrive.

Where do you see yourself in 5 years?
I would love to have a studio where I work out of 100% so that home can just be home. Right now I have a studio I use for shooting and meetings, but all my editing, orders, packaging, etc. is done at home. It works for now, but I would like to have my dining room table back!

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About the Artist: Leigh Ripps is the owner of Fresh Light Photography in Houston, TX. She is known for natural, organic maternity, newborn, and family portraiture that glows with love and light. She is inspired by her children’s passion for life and unconditional love, and strives to follow their example. She has been photographing babies and the families that love them for the last two years and is honored to be a small part of so many new families.

Visit Leigh at her WEBSITE | FACEBOOK pages here

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Photographer Spotlight

Photographer Spotlight: Christina Block

We are so thrilled today to welcome the talented Christina Block to the Blog! Learn more about Christina in our Photographer Spotlight, then visit her at her website Christina Block Photography .  Thank you so much Christina for sharing your work with us today!

Where did your inspiration for photography begin?
I think I was born loving all things creative; as far back as I can remember I always had a camera in my hand. I started to explore black & white film photography back in 2003 {while taking a local community college photography course} & that’s where my love for the dark room began. To this day I am in love with the emotion {and beauty} behind a black & white image. I often tell people that if I could shoot 100% black & white, I would.

How would you describe your photography style?
Simple. Organic. Effortless.

Did you study photography in school or are you self-taught?
A little bit of both. After I had my son, Asher, I went back to school {UNF} to work on my BFA in Photography…I had some amazing professors there that taught me a lot about photography & what makes a good image. These professors were amazing photographers themselves…so I was constantly being inspired & pushed by them. Ultimately my photography business started blooming & I had to put getting my BFA put on hold.

I have to add that I have learned so much from trail & error as well…going on a journey of sorts & letting my career take a natural progression.

What camera do you shoot with and what is your favorite lens?
I shoot primarily with my Nikon D700, and for film, I shoot with a Canon A-1. My favorite lens is the 85 mm 1.4 tied with an 85 mm tilt. The 85 is on my camera 95% of the time.

Do you have any tips for photographers on how to find the light?
Make time to shoot in all sorts of lighting…whether that is sunrise, late afternoon or evening; eventually you will realize what suits your style the best. At first I was an early shooter, I used to make my clients meet me before the sun even came up {bananas, I know} but now I love dusk. It’s amazing how the look of your images will change just by finding that light that suits your subject the best.

I tell people to shoot eggs {yes, eggs}! Shooting an egg will help you learn so much about light & the way it falls on a subject. You will learn so much about shadows & lighting and how the light can make or break the image.

What is your favorite subject to photograph and why?
Speaking personally, hands down, my son {Asher}…being able to capture those memories that I will cherish for many moons has been a blessing. The sparkle in his little eyes, his feet or the crevices on his hands…all those little details are so important for me to remember.

As far as my business goes, I adore anything lifestyle or documentary in form…I also love shooting editorials, children & any form of love in general. And I should also mention that I adore still work as well.

{That question is always a tough one for me to always answer because I honestly love it all…each shoot presents me with something different & it’s that aspect that get’s me excited.}

What is a good lesson you have learned this year in photography or in your business?
Make time for yourself! I have always been the type of person that put’s other’s needs in front of mine. Often times churning my wheels at both ends & waking up everyday exhausted. It’s a lame {and vicious} circle.

Taking time for you will just not renew your passion for photography but it will allow you to continue making it a love, not a foe.

In the business of photography it’s hard to actually do this. For myself, being a single mama and business owner is quite tolling. We are faced with 8 million tasks at hand, but I try to remember that an over worked me will not be beneficial to anyone in the long run.

If you could encourage a new photographer in one area, what would it be?
Enjoy the process. I have noticed that many new photographers want the inside scoop on everything {right off the bat} & that is not only bad for you, but damages the whole process of becoming your own. I tell people all the time how many days/months I have spent becoming who I am today. Starting a photography business doesn’t happen overnight. It takes time & the reason it takes a while is because you are learning as you go. I look back on my images from years ago & cringe. It takes time to develop a personal style & look for your work and the best way to get there is to follow the process.

If you hold a true passion for photography, you WILL get there. It just takes a lot of hard work. If you are looking for an easy job, photography is not for you.

I feel like I need to be honest with people when they ask me for advice about the photography business…and I am always trying to help support other photographers. I remember being shunned off by certain photographers when I was first started out & I vowed to never be one of those people. We all started somewhere. Remember that.

What do you love most about being a photographer?
The people I meet. I can’t begin to tell you how many amazing relationships I have built through photography. Often times my clients become friends {even family} & I have met some of my best friends {other photographers} attending workshops. The core of the photography industry is filled with creative & inspiring people…I would be lost without them.

I also love watching my clients grow & bloom through the years…what may start off as an engagement shoot leads to a wedding… which leads to a baby & so forth. How awesome is it that I get to capture & be a part of all that? So blessed by that.

Where do you see yourself in 5 years?
Oh gosh, that’s a good question. I will answer it like this…Where do I want to be in 5 years…I am hoping by that time I would have settled down & have an amazing & supportive husband {God willing}, that I would have my own natural light studio & concentrate on fine art portraiture. I have 3 words that I want for the 5-year mark: Happiness. Family. Love. {I want that}

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About Christina: Owner of Christina Block Photography, Christina resides in Jacksonville, Fl & is a Mom to her precious son, Asher. Her love for photography started over 10 years ago while taking a film course at a local community college; for many years she did street work with her Canon A-1 in hand & rolls of black and white film. Film and the dark room is still her strongest passion. Christina has successfully been running her photography business over 3 years now where her concentration is in portraiture, lifestyle, commercial work and intimate weddings. Her son and life’s simple moments are by far what she holds dearest to her heart.

Visit her at her WEBSITE | FACEBOOK | INSTAGRAM

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